André Breton tells a story about a French poet who, when he went to sleep, put on his door a sign that read:
“Please, be quiet
—the poet is working.”

Traditionally, the artist produced an artwork in his or her studio, hidden from public view, and then exhibited a result, a product—an artwork that accumulated and recuperated the time of absence. This time of temporary absence is constitutive for what we call the creative process—in fact, it is precisely what we call the creative process.

This anecdote summarizes the traditional understanding of creative work: creative work is creative because it takes place beyond public control—and even beyond the conscious control of the author. This time of absence could last days, months, years—even a whole lifetime. Only at the end of this period of absence was the author expected to present a work (maybe found in his papers posthumously) that would then be accepted as creative precisely because it seemed to emerge out of nothingness.

Boris Groys, “The Truth of Art,” e-flux journal 71 (March 2016)